|
|
| Science Leads the Way |
|
|
| Home Page |
|
|
|
|
|
|
Diana Thorne was born Ann Woursell on October
7, 1895 in Odessa, Russia. (Some evidence indicates that she may have actually been born in 1894.) In her
youth, Thorne spent time in Winnipeg, Canada and later on a farm in Calgary, Canada. She was to
eventually become one of America's most recognized canine artists. Thorne began drawing all her favorite
four-legged creatures as a young child. She was the oldest child in a Jewish family of four girls and two
boys. Her siblings were Abraham, Paula, Judith, Samuel, and Katherine. Thorne's parents were Chaim and Rose
Woursell. During this period, Jews in Russia were experiencing severe oppression and physical attacks. The situation
seemed hopeless. Canada opened its doors to immigrants fleeing Russia, offering free homestead land in the West.
The family left Canada for Germany around 1912 where Thorne took her first formal art studies at the Imperial
Academy in Munich and Charlottenburg Technical College in Berlin. The First World War began two years later and Thorne and
her family were subsequently detained by the German government. They managed to escape to England, where Thorne
was said to have supported herself as a reporter, librarian, writer, bicycle shop owner, and typewriter repair person.
At this time she began her first experiments in both illustration and etching and was said to have studied with artist
William Strang. On September 27, 1920, Thorne and several of her family members arrived in the United
States. Her first published etching, titled "Rollin' Home", was well received in 1926.
From this point on, she became an established artist. Thorne began commercial artwork in New York City in 1929. In
her private life, she was known as Mrs. Arthur North, claiming to reside at times in Boston, Massachusetts, Philadelphia,
Pennsylvania or Connecticut. (The pseudonym Thorne originated from an anagram of the name North.)
There is evidence that Arthur North was actually an alias of artist Carton Moore-Park (1877-1956). This ruse allowed Thorne
and Moore-Park to present themselves as a married couple, even though Moore-Park was already married. Frequently, biographies
of the artist are filled with inaccuracies supplied by Thorne herself, such as referring to her father as a Scotsman
or claiming to be Canadian born, which served to conceal the true details of her past.
The author-illustrator of more than forty books and
illustrator of more than fifty, Thorne's main reason for success was a total dedication to her drawing
and a deep love for her subject matter. A sportswoman and owner of dogs herself, Thorne illustrated (and often
authored) children's books dealing with dogs and animal life. Thorne's longtime publisher was the Saalfield Publishing
Company of Akron, Ohio, once a leading publisher of children's literature and paper novelties. In her etchings
of dogs, Thorne had the ability to show motion and action. A combination of whirling lines with solid lines and
light and dark tones brings to the viewer's eyes the dog in motion. Thorne’s dog etchings are admired because they capture
the humor and energy transpired by man and dog. In addition to dog etchings, she is also known for a series of
socially sensitive etchings published in a 1928 portfolio, "The Human Comedy". Thorne also executed a
series of popular sports etchings featuring topics such as skiing and boxing which were characterized by multiple
images engraved on the same plate. Very much in demand as an animal portrait painter, Thorne illustrated some
of the most famous dogs in America, including Franklin D. Roosevelt's Scottie "Fala" and Admiral Richard E. Byrd's
"Igloo", the terrier who accompanied him on his famous Antarctic Expedition. Diana Thorne was most active between
the 1920s and 1940s. Sadly, she was diagnosed as mentally ill in her later years and committed to New York City's
Belleville Hospital in September 1962. Thorne died in July 1963.
|
| Diana Thorne with Pat, her beloved Wire Fox Terrier (self portrait) |
Diana Thorne's work appeared in numerous magazines and newspapers
including The American Magazine, The Literary Digest, Liberty, The Woman's Home Companion, The Household Magazine, Maclean's,
Home Arts, Nature Magazine, National Home Monthly, This Week
Magazine, The American Kennel Gazette, The New York Times, The Boston Post, and The New York Herald Tribune. Throughout
the 1940s she was a regular contributer of artwork and written articles to the Christian Science Monitor. Thorne was
widely known in New York and London for her artwork. Noted galleries such as Kennedy & Company and the
Schwartz Galleries of New York City, the Gage Gallery of Cleveland, and the Hudson Galleries of Detroit carried many
of her etchings, which were produced in editions ranging from fifty to one hundred signed impressions. Her print,
"Pan of Puck Hill", was featured in England's Fine Prints of the Year and was also selected as one
of the Graphic Arts Society's Fifty Best Prints of the Year by the Chicago Society of Etchers. Thorne
received widespread acclaim for her unique etchings, sketches, watercolors, sculpture, lithography, and paintings, which were
exhibited in the principal cities of the United States and England. She had her first New York City showing in
April 1929 at the Schwartz Galleries in an exhibition titled, "Drypoints and Drawings by Diana Thorne". In 1930, her
work was presented at three solo exhibitions. The first took place at the Vose Galleries of
Boston. This was followed by additional exhibitions in New York City at Milch Galleries and the Fifty-Sixth
Street Galleries. Her work was also featured at the Brooklyn Museum of Fine Arts, Smithsonian Institution, The
College of William & Mary, and the Rhode Island School of Design. Thorne was an early member of the Associated
American Artists. This organization was created in New York City in 1934 with the mission of bridging the gap between
artists and their audiences by making fine art affordable. A leading publisher of original art, the Associated
American Artists commissioned etchings and lithographs from Diana Thorne and other artists. In 1944, Thorne became the
art director of the John C. Winston Company, which also published several of her most popular illustrated children's books.
In addition to many successful shows and exhibitions devoted to her work, she was also awarded memberships in several
prestigious print societies and clubs, including the Chicago Society of Etchers, National Association of Women Artists, Royal
Society of Painters and Sculptors, Boston Arts Club, Philadelphia Art Alliance, and the California Print Makers. Thorne's
love of dogs and animals is clearly evident in her work. Diana Thorne had a unique ability to capture the
true essence of "man's best friend".
|
|
|
|
|
|
|
|
|
